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Media uncovers the systemic racism in classical music, opera, and Los Angeles improv comedy

This came across our Twitter feed a few days ago and we set it aside as an oddity … did someone approach the Los Angeles times with a pitch about racism in improv comedy troupes, or did the idea just come to some reporter who went out looking for it?

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And we all know that the Groundlings and Upright Citizens Brigade are made up of Trump-supporting white supremacists.

“The Whitelings”? Was that the caliber of comedy we should expect?

As we said, we set it aside as a curiosity, but then we noticed Thursday that the Washington Post was on the hunt for racism in classical music.

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Hold on — the same day the Washington Post blew the lid off classical music, the New York Times was making the connection between the coronavirus, opera, and systemic racism:

“Opera can no longer ignore its race problem” and “long-simmering issues of representation.”

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It is beginning to sound a bit contrived.


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